This is a discussion of a woman, an ordinary woman who participates in the everyday and commonplace acts of life. As she re-views (reminiscences) about her present, past, and future. This collaboration of, and interdependence between the visual and the verbal, forms an autoethnography of a woman’s life and explores a still developing, still evolving selfhood.
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Linda Rader Overman - proud of her former student & teacher Enrique Solis who published a brilliant essay-"Delving Into a New World: A Sell Out or Success Story? "
Delving Into a New World: A Sell Out or Success Story? By Enrique Solis In high school, I failed eight classes, took summer school e...
Monday, February 19, 2018
Vivian Maier must be pleased to see just how much her work has added to the photographic conversations: note Artsy offering
Vivian Maier was a photography hobbyist whose output would become an influential body of work in the 20th-century street photography. Maier was a nanny and caregiver with a hidden passion for photography that resulted in over 100,000 negatives—mostly discovered posthumously. She picked up a camera for the first time in 1947 and worked late into the 1990s capturing her favored subjects: fleeting moments and images from her urban surroundings in Chicago and New York, touching upon destitution, urban development, pedestrian culture, and the American identity. Her later works featured fewer figures and took more interest in found objects, graffiti, and detritus.
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