Linda Rader Overman at Genre 2012 conference in Ottawa, Canada
at Carleton University
This is a discussion of a woman, an ordinary woman who participates in the everyday and commonplace acts of life. As she re-views (reminiscences) about her present, past, and future. This collaboration of, and interdependence between the visual and the verbal, forms an autoethnography of a woman’s life and explores a still developing, still evolving selfhood.
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“When Hope Remains” Resilience & Peace presentation by Dr. Linda Overman at CSUN Veterans Resource Center
“When Hope Remains”Resilience & Peace presentation at Veterans Resource Center This presentation is being given in Fall 2026 on a mo...
Wednesday, April 11, 2012
Thank you to Ron and Susan Scolastico for adding my book as a link on their wondrous site The Inspired Works of Dr. Ron Scolastico
Spiritual Counselor , Transpersonal Psychologist, author of a flurry of insightful books! I am deeply honored.
They honor my novel Letters Between Us and I thank you!
Sunday, February 19, 2012
Linda Rader Overman presents at IJAS March 14, 2012
Linda Rader Overman presents at IJAS
Wednesday March 14, 2012 9:30am - 9:45am
@ Room 207 UNLV Student Union,
4505 S. Maryland Parkway,
Las Vegas, Nevada 89154
EKPHRASTIC NARRATIVE: A GENRE FOCALIZING IMAGE AND TEXT
Thanks to all who attended and participated in my Q and A giving me valuable feedback for my research! Also many thanks to Dr. Joseph Bonnici at Central Connecticut State University (CCSU) for all the hard work in coordinating a very successful conference. VIVA LAS VEGAS!
Wednesday March 14, 2012 9:30am - 9:45am
@ Room 207 UNLV Student Union,
4505 S. Maryland Parkway,
Las Vegas, Nevada 89154
EKPHRASTIC NARRATIVE: A GENRE FOCALIZING IMAGE AND TEXT
Thanks to all who attended and participated in my Q and A giving me valuable feedback for my research! Also many thanks to Dr. Joseph Bonnici at Central Connecticut State University (CCSU) for all the hard work in coordinating a very successful conference. VIVA LAS VEGAS!
Monday, December 12, 2011
Nahid Rachlin giving a workshop in Assissi, Italy
She is a great friend, wonderful teacher, and wonderful writer!!
She is a great friend, wonderful teacher, and wonderful writer!!
Thursday, December 8, 2011
Tuesday, November 15, 2011
Linda Rader Overman and Pictures on the Wall of My Life needs to be more obvious
So I am marketing my latest novel, Pictures on the Wall of My Life, and my query letter gets the usual thanks, but no thanks on the first round. Then there are those agents/publishers who are interested in taking a look at more, 5 pages, a chapter, 25 pages, 50 pages, the entire manuscript. And I dutifully send out one at a time and wait for a response so as not to have multiple submissions. But then, I think, well at least they are willing to check it out. And I have gotten over that first hurdle with an agent here or there. But then I get this kind of rejection:
"I think you’re a talented and original writer. That makes it all the harder to say that I’m not confident that I can find a publisher for you in the current difficult market for literary fiction. Editors seem exceedingly cautious right now about acquiring anything but the most obvious fiction."
Hmmmpffff...so perhaps I should follow Quentin Rowan's plagiarizing approach, when he wrote what Little Brown promoted as the new classic spy novel, just steal from about 13 other classic spy novels as Jeremy Duns discovered and revealed in his blog, The Debrief.
This was not the first time Little Brown boasted of an amazing new brilliant work...anyone remember Harvard undergraduate Kaavya Viswanathan ’08, “How Opal Mehta Got Kissed, Got Wild, and Got a Life,” that contained several passages strikingly similar to two books by Megan F. McCafferty—the 2001 novel “Sloppy Firsts” and the 2003 novel “Second Helpings.” ?????
I suppose I should be "that original" rather than write from a place of my own original thought as my fictional memoir Pictures on the Wall of My Life is. Maybe I should have just "borrowed" everything like Quentin Rowan (aka QR Markham) has.
It seems that since my talented and original idea is just not that obvious I need to appropriate work from others...to even get noticed. There should be a special place in hell for writers who plagiarize.
Why does this make me so damn mad?
"I think you’re a talented and original writer. That makes it all the harder to say that I’m not confident that I can find a publisher for you in the current difficult market for literary fiction. Editors seem exceedingly cautious right now about acquiring anything but the most obvious fiction."
Hmmmpffff...so perhaps I should follow Quentin Rowan's plagiarizing approach, when he wrote what Little Brown promoted as the new classic spy novel, just steal from about 13 other classic spy novels as Jeremy Duns discovered and revealed in his blog, The Debrief.
This was not the first time Little Brown boasted of an amazing new brilliant work...anyone remember Harvard undergraduate Kaavya Viswanathan ’08, “How Opal Mehta Got Kissed, Got Wild, and Got a Life,” that contained several passages strikingly similar to two books by Megan F. McCafferty—the 2001 novel “Sloppy Firsts” and the 2003 novel “Second Helpings.” ?????
I suppose I should be "that original" rather than write from a place of my own original thought as my fictional memoir Pictures on the Wall of My Life is. Maybe I should have just "borrowed" everything like Quentin Rowan (aka QR Markham) has.
It seems that since my talented and original idea is just not that obvious I need to appropriate work from others...to even get noticed. There should be a special place in hell for writers who plagiarize.
Why does this make me so damn mad?
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